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Moving Image Installation, Dance, and Resistance at the 2019 Venice BiennaleVenice, Italy, May 11–November 24, 2019
Annie Dell'Aria

December 2019, Vol. 46 No. 4, (pp. 1-7) DOI: 10.1525/aft.2019.464001
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Continuing DelugeJohn Knecht's Video Work
Scott MacDonald

December 2019, Vol. 46 No. 4, (pp. 39-55) DOI: 10.1525/aft.2019.464004
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A City on the MoveContemporary Photography in Bandung, West Java
Brian Arnold

December 2019, Vol. 46 No. 4, (pp. 19-37) DOI: 10.1525/aft.2019.464003
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The Poetics of Carrie Mae Weems's Documentary Portraits Past and PresentExplorations of Grace, Love, and Justice
Andrea Liss

December 2019, Vol. 46 No. 4, (pp. 57-73) DOI: 10.1525/aft.2019.464005
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Review: The Social Photo: On Photography and Social Media, by Nathan Jurgenson
Stephanie Amon

December 2019, Vol. 46 No. 4, (pp. 85-88) DOI: 10.1525/aft.2019.464008
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Art Basel 2019Basel, Switzerland, June 11–16, 2019
Julia Bradshaw

December 2019, Vol. 46 No. 4, (pp. 9-17) DOI: 10.1525/aft.2019.464002
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Review: The Postconceptual Condition: Critical Essays, by Peter Osborne
Max L. Feldman

September/October 2018, Vol. 45 No. 5, (pp. 34-35) DOI: 10.1525/aft.2018.45.5.34
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Hollywood Film as Public PedagogyEducation in the Crossfire
Henry A. Giroux

March/April 2008, Vol. 35 No. 5, (pp. 7-13) DOI: 10.1525/aft.2008.35.5.7
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Review: Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America, by Matthew Fox-Amato
Lucy Mensah

December 2019, Vol. 46 No. 4, (pp. 81-84) DOI: 10.1525/aft.2019.464007
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Review: DEMOCRACIA/ORDER
Yoli Terziyska

December 2019, Vol. 46 No. 4, (pp. 75-80) DOI: 10.1525/aft.2019.464006

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