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Review: José Maçãs de Carvalho: Archive and Democracy
K. Johnson Bowles

May/June 2017, Vol. 44 No. 6, (p. 25) DOI: 10.1525/aft.2017.44.6.25
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Madness and MayhemThe Aesthetics of Dark Tourism
Colette Copeland

July/August and September/October 2011, Vol. 39 No. 1-2, (pp. 43-46) DOI: 10.1525/aft.2011.39.1-2.43
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The Outmoded Instant: From Instagram to Polaroid
Alicia Chester

September/October 2018, Vol. 45 No. 5, (pp. 10-15) DOI: 10.1525/aft.2018.45.5.10
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Review: Henri Cartier-Bresson: The Decisive Moment Elliott Erwitt: Pittsburgh 1950
Marjorie Backman

July/August 2018, Vol. 45 No. 4, (pp. 31-34) DOI: 10.1525/aft.2018.45.4.31
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Hollywood Film as Public PedagogyEducation in the Crossfire
Henry A. Giroux

March/April 2008, Vol. 35 No. 5, (pp. 7-13) DOI: 10.1525/aft.2008.35.5.7
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The Poetics of Carrie Mae Weems's Documentary Portraits Past and PresentExplorations of Grace, Love, and Justice
Andrea Liss

December 2019, Vol. 46 No. 4, (pp. 57-73) DOI: 10.1525/aft.2019.464005
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Continuing DelugeJohn Knecht's Video Work
Scott MacDonald

December 2019, Vol. 46 No. 4, (pp. 39-55) DOI: 10.1525/aft.2019.464004
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Moving Image Installation, Dance, and Resistance at the 2019 Venice BiennaleVenice, Italy, May 11–November 24, 2019
Annie Dell'Aria

December 2019, Vol. 46 No. 4, (pp. 1-7) DOI: 10.1525/aft.2019.464001
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Review: The Intervals of Cinema, by Jacques Rancière
Marc James Léger

March/April 2015, Vol. 42 No. 5, (pp. 32-33) DOI: 10.1525/aft.2015.42.5.32
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The Archaeology of PhotographyRereading Michel Foucault and The Archaeology of Knowledge
November/December 2007, Vol. 35 No. 3, (pp. 3-6) DOI: 10.1525/aft.2007.35.3.3

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