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Hollywood Film as Public PedagogyEducation in the Crossfire
Henry A. Giroux

March/April 2008, Vol. 35 No. 5, (pp. 7-13) DOI: 10.1525/aft.2008.35.5.7
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Madness and MayhemThe Aesthetics of Dark Tourism
Colette Copeland

July/August and September/October 2011, Vol. 39 No. 1-2, (pp. 43-46) DOI: 10.1525/aft.2011.39.1-2.43
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Review: Henri Cartier-Bresson: The Decisive Moment Elliott Erwitt: Pittsburgh 1950
Marjorie Backman

July/August 2018, Vol. 45 No. 4, (pp. 31-34) DOI: 10.1525/aft.2018.45.4.31
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The Outmoded Instant: From Instagram to Polaroid
Alicia Chester

September/October 2018, Vol. 45 No. 5, (pp. 10-15) DOI: 10.1525/aft.2018.45.5.10
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Review: José Maçãs de Carvalho: Archive and Democracy
K. Johnson Bowles

May/June 2017, Vol. 44 No. 6, (p. 25) DOI: 10.1525/aft.2017.44.6.25
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Review: The Postconceptual Condition: Critical Essays, by Peter Osborne
Max L. Feldman

September/October 2018, Vol. 45 No. 5, (pp. 34-35) DOI: 10.1525/aft.2018.45.5.34
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Review: The Intervals of Cinema, by Jacques Rancière
Marc James Léger

March/April 2015, Vol. 42 No. 5, (pp. 32-33) DOI: 10.1525/aft.2015.42.5.32
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Review: Understanding a Photograph by John Berger and Words Not Spent Today Buy Smaller Images Tomorrow: Essays on the Present and Future of Photography, by David Levi Strauss
Colin Edgington

May/June 2015, Vol. 42 No. 6, (pp. 41-42) DOI: 10.1525/aft.2015.42.6.41
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Ethnopoetics of RealityThe Work of Sky Hopinka
Almudena Escobar López

September/October-November/December 2017, Vol. 45 No. 2-3, (pp. 27-31) DOI: 10.1525/aft.2017.45.2-3.27
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Counter-operation: Harun Farocki Against the Network
Nace Zavrl

July/August 2017, Vol. 45 No. 1, (pp. 7-11) DOI: 10.1525/aft.2017.45.1.7

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