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Review: José Maçãs de Carvalho: Archive and Democracy
K. Johnson Bowles

May/June 2017, Vol. 44 No. 6, (p. 25) DOI: 10.1525/aft.2017.44.6.25
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Review: Henri Cartier-Bresson: The Decisive Moment Elliott Erwitt: Pittsburgh 1950
Marjorie Backman

July/August 2018, Vol. 45 No. 4, (pp. 31-34) DOI: 10.1525/aft.2018.45.4.31
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Hollywood Film as Public PedagogyEducation in the Crossfire
Henry A. Giroux

March/April 2008, Vol. 35 No. 5, (pp. 7-13) DOI: 10.1525/aft.2008.35.5.7
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Two Meetings and a Funeral
Dan S. Wang

September 2019, Vol. 46 No. 3, (pp. 89-94) DOI: 10.1525/aft.2019.463014
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Seeing Syntax: Google Art Project and the Twenty-First-Century Period Eye
Kim Beil

January/February 2013, Vol. 40 No. 4, (pp. 22-27) DOI: 10.1525/aft.2013.40.4.22
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“Insignificant” Lives and the Power of the Arts after Fukushima
Gabrielle Decamous

September 2019, Vol. 46 No. 3, (pp. 15-24) DOI: 10.1525/aft.2019.463003
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Queer California: Untold StoriesOakland Museum of Art, Oakland, California: April 13–August 11, 2019
Lucas Hilderbrand

September 2019, Vol. 46 No. 3, (pp. 43-48) DOI: 10.1525/aft.2019.463006
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Review: The Intervals of Cinema, by Jacques Rancière
Marc James Léger

March/April 2015, Vol. 42 No. 5, (pp. 32-33) DOI: 10.1525/aft.2015.42.5.32
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Book Review: The Library by David Schulz
David Solo

September 2019, Vol. 46 No. 3, (pp. 77-80) DOI: 10.1525/aft.2019.463011
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Sharjah Biennial 14Sharjah Art Foundation, Sharjah, United Arab Emirates, March 7–June 10, 2019
Sabrina Deturk

September 2019, Vol. 46 No. 3, (pp. 9-14) DOI: 10.1525/aft.2019.463002

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