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Afterimage: The Journal of Media Arts and Cultural Criticism

Table of Contents

Vol. 40 No. 1, July/August 2012

  • REPORTS

    • You have accessRestricted access
      From Beyond the Former West
      Victoria Hindley
      (pp. 2-4) DOI: 10.1525/aft.2012.40.1.2
    • You have accessRestricted access
      Moving Images
      Laura U. Marks
      (pp. 4-5) DOI: 10.1525/aft.2012.40.1.4
    • You have accessRestricted access
      Orientations and Identities
      Jovana Jankovic
      (pp. 6-7) DOI: 10.1525/aft.2012.40.1.6
    • You have accessRestricted access
      Spirit of the Nineties
      Alisia Chase
      (pp. 8-9) DOI: 10.1525/aft.2012.40.1.8
  • ESSAY

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      Notes toward an “Open” Conversation on New Media Art and Ending the Politics of Exile
      Omar Kholeif
      (pp. 10-13) DOI: 10.1525/aft.2012.40.1.10
  • FEATURES

    • You have accessRestricted access
      A New/Old Ethics of the Photographic Portrait: Mirjana Vrbaski's “Verses of Emptiness”
      Sarah Goodrum
      (pp. 14-16) DOI: 10.1525/aft.2012.40.1.14
    • You have accessRestricted access
      Tipping Point: A Conversation with Charlie Humphrey
      Scott Turri
      (pp. 17-19) DOI: 10.1525/aft.2012.40.1.17
  • EXHIBITION REVIEWS

    • You have accessRestricted access
      Fascinating Rhythm
      Kathryn Kramer
      (pp. 21-22) DOI: 10.1525/aft.2012.40.1.21
    • You have accessRestricted access
      Behind the Mask
      Harriet Riches
      (pp. 22-23) DOI: 10.1525/aft.2012.40.1.22
    • You have accessRestricted access
      Let's Dance
      Suzanne E. Szucs
      (pp. 24-25) DOI: 10.1525/aft.2012.40.1.24
    • You have accessRestricted access
      Creative Ecology
      Gerald Mead
      (pp. 26-27) DOI: 10.1525/aft.2012.40.1.26
    • You have accessRestricted access
      Time and Tide
      Wylie Schwartz
      (p. 28) DOI: 10.1525/aft.2012.40.1.28
    • You have accessRestricted access
      Snapshot Surprises
      Lucy Bowditch
      (pp. 29-30) DOI: 10.1525/aft.2012.40.1.29
    • You have accessRestricted access
      Makeup and Art
      Jody B. Cutler
      (pp. 31-32) DOI: 10.1525/aft.2012.40.1.31
    • You have accessRestricted access
      Silvered Neurons
      William V. Ganis
      (pp. 33-34) DOI: 10.1525/aft.2012.40.1.33
    • You have accessRestricted access
      Artist in Progress
      Harriet Riches
      (pp. 34-35) DOI: 10.1525/aft.2012.40.1.34
  • BOOK REVIEWS

    • You have accessRestricted access
      New Horrors for a Post-9/11 World
      Lyell Davies
      (pp. 36-37) DOI: 10.1525/aft.2012.40.1.36
    • You have accessRestricted access
      Getting Art and Life Together
      Daniel Tucker
      (pp. 37-38) DOI: 10.1525/aft.2012.40.1.37
    • You have accessRestricted access
      Look Back, Figure Forth
      Godfre Leung
      (pp. 38-39) DOI: 10.1525/aft.2012.40.1.38
  • ETC.

    • You have accessRestricted access
      Review: A Hollis Frampton Odyssey
      Patrick Friel
      (p. 39) DOI: 10.1525/aft.2012.40.1.39
    • You have accessRestricted access
      Review: Looking for Bruce Conner, by Kevin Hatch
      Patric Friel
      (p. 39) DOI: 10.1525/aft.2012.40.1.39.1
    • You have accessRestricted access
      Media Received
      (p. 40) DOI: 10.1525/aft.2012.40.1.40
  • PORTFOLIO

    • You have accessRestricted access
      Schools for the Colored
      Wendel A. White
      (p. 41) DOI: 10.1525/aft.2012.40.1.41
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Afterimage: The Journal of Media Arts and Cultural Criticism: 40 (1)
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